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FREIRAUM FESTIVAL
  • Home
  • About
    • Mission Statement
    • About Freiraum
    • Freiraum Manifesto
    • Members
    • Team
  • Freiraum Festival 2021
    • 2021 Festival Rationale
    • 2021 Festival Programme
    • 2021 Festival Speakers & Contributors
    • 2021 Local Events
    • 2021 Artistic Interventions
    • 2021 Open Call
    • 2021 Team
  • Festival Format
  • Past Activities
    • Freiraum Festival 2020 >
      • 2020 Summit Rationale
      • 2020 Local Events
      • 2020 Summit Programme
      • 2020 Speakers & Contributors
      • 2020 Artistic Interventions
      • 2020 Credits
    • 2020-2017 Activities
  • Library
    • Talks and Discussions
    • Artistic Interventions
    • Texts >
      • Interviews
      • Essays
      • Chainreaction
      • Eight Short Stories
  • Tools
    • Mobile Stage
    • Mobile Studio

Library:
​Artistic Interventions

ARTISTIC INTERVENTIONS AT THE FREIRAUM FESTIVAL

The Freiraum Festivals in 2020 and 2021 included a selection of art works, specially conceived for the online format, live or pre-recorded. 

The works are commissioned or selected through an open call to  young, emerging and established artists from around the world. ​The selected short, standalone works contribute to the discussion on the exploration of new formats. ​They are integrated into the programme of the online summit as "interruptors". Artistic contributions also include works presented by the Freiraum Platform members as best-practice examples.

FREIRAUM FESTIVAL 2021 - ONLINE EXHIBITION

Adam Engler 
UnityCore, 2021 , v
ideo performance

Emir Uysal
​A chronological look into resistance in Boğaziçi University - Freiraum Festival 2021, video - 2D animation

Ryan S Jeffery
An Unsatisfying Metaphor, 2020, colour HD video, stereo sound (trailer - scroll down for the full film)

Una Walker
Shadows and reflections, 2021
Edited version of 2019 work, 2’ 55’’, Audio

Catalina Gonzalez
The Murmur, 2021, video

Angelos Papadopoulos
Body Politics_Porn Me, 2021, video

Menelaos Lomis
​An ever changing stage, 2021
​moving image & sound composition

Petros Tatsiopoulos
Installation, Stem, Impression, 2021
​video

Tingwei/ Li
​digitus digitālis, 2020 
video

Ewa Doroszenko and Jacek Doroszenko
​The same horizon repeated at every moment of the walk, 2014

video, Full HD

Nefeli Kentoni
An adaptation, 2021

video

Bojan Stojčić
​Seeking for a Person, 2013-ongoing

Public ad, various formats / correspondence, screenshots 
(video coming soon)

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Ryan S Jeffery
An Unsatisfying Metaphor, 2020, colour HD video, stereo sound, 40'

 This film begins with the contention that an economy is fundamentally a set of institutions constructed by humans in the face of a radically uncertain world. What then can be understood about the story of modern or “hyper” globalisation if we look to the World Trade Organisation’s private art collection in Geneva, Switzerland? The subjects and objects depicted inside this intergovernmental institution’s walls reveal a story, or stories, told by those who have sought to shape and command the heights of a world economy. Who gets to be in the picture and who is left out? And who gets to draw the picture in the first place?

https://www.ryansjeffery.com/

FREIRAUM FESTIVAL 2021 - FREIRAUM MEMBER CONTRIBUTIONS

Milos Tomic & Skograd, Belgrade
Playscapes of Freedom, 2021, artistic documentary 


Globe Aroma team and participants
​ESPACE FXMME: TALK WITH THE WALLS
Presentation of the workshop and spatial intervention

Žiga Divjak
​The Game, devised theatre play, 2020

People who have walked across half the world to escape wars, persecution, violence and crushing poverty, call the last stretch of their route, the stretch that takes them from Bosnia and Herzegovina to a safe destination in the European Union, "the game". The game has no rules, laws don’t apply, the powers of the police is limitless, the violence increasingly brutal, the dangers increasingly more dangerous, the possibilities smaller and smaller, and the destination further and further… Many try several times, even twenty or thirty times; it’s a numbers game. For many, the game is fatal. Available records show that around twenty people have thus far lost their lives on our borders. The Game, a devised theatre project, studies the role and responsibility of Slovenia and its border policy for lives and fates of the people on the run.

FREIRAUM FESTIVAL 2020 - ONLINE EXHIBITION

Elias Adam
It’s Ophelia, Bitch, 2020, desktop performance

In this short performance, Ophelia, a Gen-Z heroin, browses her desktop. Her grief, rage and despair are interpreted through the lens of the ongoing demo-crisis and social injustice. Internet spurrs - like a virus! - a bottom-up evolution: pop culture, memes, youtube videos, articles, messenger texts reconfigure Ophelia’s political stance. In Hamlet, Ophelia is portrayed as a minor character who lacks the will of her own and seeks refuge in madness and eventually in suicide. This performance follows Ophelia’s struggle to find her own voice and interprets her madness as a means to express her Weltschmerz, her anger and her being without the patriarchal domination. 

It's Ophelia, Bitch is commissioned by Common Lab - Goethe-Institut Excellency Initiative by Goethe-Institut Thessaloniki & ArtBOX in collaboration with TIF-HELEXPO, Freiraum and Institute Hypewerk for Postindustrial Design, in the context of the State of the Arts. 

​Silvia Amancei & Bogdan Armanu
​Unlovable Prospects. Saba’s look on the Future
​(Chapter I, “xxx2050xxx”), 2020, digital video 

Unlovable Prospects. Saba’s look on the Future" is a short film that takes the form of a sci-fi (twilight zone type) miniseries, produced during the COVID lockdown in Spring 2020, in Iasi, Romania. Before the COVID-19 crisis, the scenarios that have now become a daily routine were specific to Hollywood, being isolated in the field of fiction. Starting from the parallel between fiction/film and reality, ”Unlovable Prospects. Saba’s look on the Future” proposes 4 dystopian scenarios of the post-COVID future. Combining empirical information with speculation and creative modelling, this project aims to critically analyse the capitalist system and how people can organise (or not) at critical times. The video was commissioned by "Fundatia 9" within their "ARTISTSROOMS" fellowship.


​Azahara Cerezo
​Futurabilities, 2020, online action

A bot programmed to read parts of “Futurability. The age of Impotence and the horizon of possibility” (2019) to other chatbots, who answer and progressively learn from the conversation. In this book, philosopher Franco “Bifo” Berardi analyses the global order that shapes our politics and our imagination, arguing that the geopolitical model of the nation state is no longer able to explain the daily business of life and proposing that the key to a radical change lies in the cognitive work and its relationship with technologies. “Futurabilities” is an online action exploring human-automatic conversational possibilities around the current context of connected solitudes. (http://www.futurabiliti.es)


Elli Chrysidou
1,5... for the next day, video, 2020

"1,5... for the next day" is the result of of the workshop "How To Build a Community in 10 days" in the context of the project Common Lab by Goethe-Institut Thessaloniki and ArtBOX. The workshop, that took place in April-May-June 2020, explored the possibility of creating an online community during lockdown. How does personal experience become collective? How do we project the private onto the public? How does silence become a scream? How does our gaze discover reality in nightmare and how does personal movement-action become political act? How can we discover the day after within the 1,5 m. distance between us?


Jane Dudman and Freiraum Partners
When We Speak, performative reading of the Freiraum Manifesto, 2020

How do we speak together when we speak different languages?  How is a common language uncommon?  In this performance we speak together with one voice, in multiple voices, in single voices, in regional voices, in national voices, in international voices, in loud voices, in quiet voices, in passionate voices, in celebratory voices, in optimistic voices, in public voices, in free voices. 

With Freiraum Partners: Yasser Almaamoun (Berlin), Ira Bliatka (Paris), Signe Sophie Boggild (Copenhagen), Aloña Elizalde (Brussels), Iskra Geshoska (Skopje), Jelena  Joksimovic (Belgrade), Mériam Korichi (Paris), Edit Pula (Tirana), Maud Qamar (Brussels), Christos Savvidis (Thessaloniki), Ondrej Timčo (Prague), Milan Zvada (Banská Bystrica)


Bastian Hoffmann
​how to turn your work place into a sheet of paper, 2018, video, 5’ 52’’

The video work “how to turn your work place into a sheet of paper” shows the practical instructions for making a sheet of paper out of the artist's private workplace. In a set of meticulous, step-by-step instructions, the complete desk, including chair, ring binder, pens, etc., is shredded and then pureed to produce vat paper from the mass. The work is the most recent video in the series “Today I want to show you…”, an ongoing tutorial-clip series that picks up on formal video instructions (DIY, tutorials, how-to’s) commonly found on the Internet, and sees the instructions as an artistic, conceptual strategy. 


KangarooCourt
Performance Survival Protocol, 2020, video performance

This is 2035. All performance seems to serve and to keep on non-stop (re)producing the dominant ideologies (a mixture of scientific claims, state rules and conspiracy theories). In the context of the precarious labour conditions of modern daily life, as well as the employment of fear as means of manipulation and polarisation, there seems to be no ending or even traces of end(ing) of our current condition discernible on the horizon. All performance (everyday living) now has a sense of unreality, or in fact, reality seems to have become something else. KangarooCourt - a group of established performance experts, are proposing the ‘Performance Survival Protocol’. In the form of a video presentation, the group propose simple and viable rules, which guide the audience throughout their performance (everyday) life. In an attempt to imagine “The day after” related to the global crisis we are experiencing, KangarooCourt are proposing an absurd protocol presented in a 3-minute video for how to perform or indeed ‘live’ - as these two words are gradually becoming synonymous during and after the covid-19 era (distance learning, tele-education, telecommuting etc ). The work tries to underscore the ways of unconscious manipulation we are experiencing, in order to form legitimate performances of the self that form new kinds of citizenship. 


Giorgos Klountzos-Chrysidis
Live drums improvisation

Giorgos Klountzos-Chrysidis provides the soundtrack of the Online Summit, live from the mobile studio at Goethe-Institut Thessaloniki, from where the broadcast takes place. Giorgos reacts to the discussions and the live flow of the programme, adding an element of live music, improvisation and non-verbal response.
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Matteo Locci & Basak Tuna
Hide and seek for the control room, 2020, video performance 

Billions of cameras around the world for billions of people being watched for billions of dollars’ worth market. Everyone knows, some complain, others suffer, few criticise, the majority accept, most people simply don’t care. Does their monitoring have an influence on the distant human bodies being watched? A biopolitical answer would certainly say yes. Yet, nobody really seems to grasp what kind of spectacle our life appears to strangers’ sight. After so many months on zoom, can we try to sympathise with security video watchers? Assuming they exist, their perception must be particularly boring and attentionally complicated. It is called tonic alertness, and it refers to the demanding task of sustained vigilance. What do security cameras’ watchers actually do, in order to avoid boredom? What optical rituals do they have? It’s up to the public of Freiraum Festival to investigate the transformative powers of the control room. The performance is conceived as a fictional interactive video game, where the public, from the perspective of the control-room, try to spot the performer on the screen. Watchers are invited to keep their microphone on and, if the performer is spotted, shout out the colour of her/his jacket. 60 screening seconds to notice the movements before the performance is disrupted. 


Katie Lock, with the contribution of Jane Dudman
Synesthesia, 2020, multimedia video

This drawing performance work takes its inspiration from Kurt Schwitters’ Dada sound poem Ursonate. Schwitters had a compelling background of political exile during World War 2, travelling from Germany, via Norway amongst other places, to eventually spend his last years in the Lake District near Carlisle in the North of England, where his eclectic art practice is celebrated in museums and art galleries across the region. The work involves one artist (Jane Dudman) performing improvised vocal sounds in response to the physical space of the Methodist Central Hall in Carlisle; a historically important site in the city, whilst the other artist (Katie Lock) creates a live drawing in response to the textures of the sounds created. These sound drawings are projected live onto the Hall’s church organ pipes referencing the relationship between sound and physical space. The resulting video is then manipulated and further digital interventions within the piece occur. Combining these sound and visual components creates a connection between the artists, a chain of interpretation and expression, translating one sense into another.


Lina Mantikou
How to break and rebuild your mug in 10 days, video, 2020

 This collective video was created by participants in the workshop "How To Break and Rebuild your Mug in 10 days", led by architect Lina Mantikou. The workshop took place in June 2020,  in the framework of the project Common Lab by Goethe-Institut Thessaloniki and ArtBOX. It focused on developing a common methodology of design, through the observation and interpretation of the "idiosyncratic object". 
During the workshop, participants Stephanie Felber, Lia Psoma, Ira Bliatka and Katerina Athanasopoulou rediscovered their favourite objects, making new associations, identifying common memories, metaphors and allegories, and creating "mind maps" using images, sounds, texts, and animation. Through this methodology, the different objects produced unique descriptions through a common structure. Thus, the individual and the collective communicate and show dynamic relationships, strengthening and accepting their importance for a critical introspection of the subject today. MORE 


Edit Pula & Fatos Qerimaj
Freiraum Rhapsody, 2019
Conductor: Floris Lammens

​The Freiraum Rhapsody has been envisioned by Edit Pula(j) as the soundtrack of the Freiraum project and as a creative response to fundamental European values through music. Composed especially by Professor Fatos Qerimaj for a 13-piece orchestra, the rhapsody will be performed live on October 23 at Tirana's Skanderbeg Square by the Contemporary Orchestra conducted by Prof. Qerimaj; and a few days later as part of the opening of the Freiraum Online Summit on October 30, conducted by Floris Lammens at BOZAR (Center for Fine Arts) in Brussels. The Freiraum Rhapsody is inspired by the landscape of northern Albania and characteristic music motives like Maje Krahu (the mountain call), harmonised with classical European musical style. Through its minimalistic technique emerges a whole new contemporary and poetic piece, carrying global sounds and fresh emotions that evoke simultaneously national authenticity and European pride. 
Concept by Edit Pula(j) / Composed by Professor Fatos Qerimaj / Comissioned by Goethe Zentrum Tirana

Carol Rollo
the more I draw, the more I listen, live drawing session

In this drawn commentary, the illustrator reformulates complex concepts, bold statements, deep feelings and subtle metaphors from the Freiraum Festival talks and performances in her primary language, the visual one. There are data, of course, and diagrams, and connections and quotes. Somebody could think that a live drawing is a mere translation from words to images, but this is not how this procedure works. In this place, we are talking the language of the images and serving it to the audience, seasoned with a good dose of horror vacui and surrealism, as dadaists have taught us.


Christoph Rummel & Jochen Merker
Shining Europe, 2020, video performance

Christoph is a juggler, Jochen's specialty is light painting video art. With their craft, they make traces of time and light visible and create a collage with Europe and its values. Christoph is also a researcher in contemporary circus (also known as the new circus or Nouveau Cirque). The circus may also offer a good image or metaphor for Europe, as circus was and still is a space for otherness, diversity and maybe even freedom. The traditional circus was and is always a place that invites everyone equally and lets them come together. With the emergence of the Nouveau Cirque (around 1970 in France), the founders not only saw themselves as rebels against the prevailing social hierarchy, but also set in motion a development that made the circus a performative art form (with elements from theatre, dance, etc.), in order to reflect on or express social or personal processes.


​Danae Theodoridou & Dimitri Papageorgiou 
Languages of the Unheard, 2020
A live experiment of conversing in the language of protest

"WHAT WE MUST SEE is that a riot is the language of the unheard." Martin Luther King 

Following a performance score, i.e. a list of instructions similar to those of a board game, Languages of the Unheard construct an online visual and auditory manifesto based on the language of signs and slogans coming from important protests in different European countries from the creation of the European Economic Community (EEC) or ‘Common Market’ in 1957 to 2020. Playing with the performativity of zoom’s feature to ‘rename’ ourselves, we will change constantly our names using the language of those signs, producing a written dialogue in the language of protest. During this dialogue, parts of our words will be audio processed and fed back into the dialogue in different ways, creating a soundscape of languages of the unheard. This ‘silent’ conversation aims to reveal the materiality of the language of protest in order to create an embodied experience of its social force. What stays from our common fights in public space when we don’t have the proximity of our bodies? How can we turn immaterial language into a material ‘action’ in the way Arendt defined the term as the human ability to initiate something in public space that addresses the many without being able to control its outcome in advance?   
 

Concept, creation: Danae Theodoridou
Composition: Dimitri Papageorgiou 
Participants: Kate Adams (UK), Maria Apostolakea (France), Marijana Cvetkovic (Serbia), Ivana Filip (Croatia), ​Elena Koukoli (Greece), Janeda Milio (Albania), Eleni Mylona (Switzerland), Stefanie Schweiger (Austria), Elena Stamatopoulou (Greece), Tina Yotopoulou (Greece)


Languages of the Unheard is commissioned by Common Lab - Goethe-Institut Excellency Initiative by Goethe-Institut Thessaloniki & ArtBOX in collaboration with TIF-HELEXPO, Freiraum and Institute Hypewerk for Postindustrial Design, in the context of the State of the Arts. 
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Maciej Toporowicz
Life in the Time of a Plague, 2020, video performance series

My set of short performances is a personal diary in the time of pandemic. It reflects my feelings and frustrations caused by Covid-19. It is still a work in progress, since I add new pieces every week. I decided to choose Instagram as a platform to disseminate my work, because it is widely popular all over the world. It is a simple and basic format. All I need is my phone, my face, my hands and my body. Same as it ever was.


ARTISTIC INTERVENTIONS BY FREIRAUM MEMBERS 2020

Throughout 2020, Freiraum members -organisations and individuals- reflected on the common global crisis -the COVID-19 pandemic- and produced content that directly or indirectly discusses the challenges of the situation, from the point of view of intellectuals and the public. 

Five Stories About Freedom, 2020
Kontrapunkt, Skopje

The film combines theoretical, documentary and artistic discourses, which can be complementary or contradictory. It includes 5 elements: Theorist & philosopher Artan Sadiku talks about freedom in the city; Screenplay writer and novelist Sasho Kokalanov talks about the perception of freedom; Writer Olivera Kjorveziroska, reads short stories written during the pandemic; Photographer Ivan Blazhev explores the changes that have taken place in his city; Fragments from the book "This Life: Secular Faith and Spiritual Freedom" by Martin Hägglund.

Freiraum Festival 2020 Skopje from ArtBOX on Vimeo.


WASTE/D live, 2020, performance
​Temporary Academy of Arts (PAT) 
Coordinated by Goethe-Institut Athen

Three people from different disciplines, Elena Tzelepi (philosopher), Sofia Mavragani (dancer/choreographer), Martha Mavroidi (musician), Aristeidis Antonas (architect/writer/artist) are invited to a "Wasted Live", a reading of Waste/d publication, published by Temporary Academy of Arts (Elpida Karaba, Despina Zefkili, Yota Ioannidou, Vangelis Vlahos) by Omblos Editions, with the support of Goethe-Institut, Athens, last July. "WASTE/d" is trying to define new aspects of waste/d subjects and matter (from the precarious art workers bodies to the new wasted subjects produced by the hygiene norms of covid19), as well as new sophisticated methods of ‘cleaning’ (from global environmental politics in the era of climate change to state and police methods to clean the city of Athens from refugee squats and anarchists and ensure public order). 

Slow Motion, 2020, short film
Director: Ruxandra Tuchel
Coordinated by Goethe-Institut Bukarest

Camera/Sound/Editing: Silviu Andrei
The health hazard currently threatening the entire world has imposed new social rules. Fear and insecurity have taken a deep psychological toll on everyone. As a result, we try to turn negative feelings into positive experiences. We have capitalised on this profound change by creating a social experiment. We have asked three artists to convey the multi-faceted picture of a previously unknown reality, namely the pandemic and lockdown which previously have only been made popular through literature and SF films. The film reveals 24 hours in the life of three female artists who are trapped in their own four walls, as well as their online communication, fear of the future and the concept of life reduced to basic needs.

Freiruam of Hope
​
Documentary, 2020
​Skograd, Belgrade

Skograd's documentary Freiraum of Hope investigates how the children of Ledine, a neigbhourhood in peripheral Belgrade, perceive and experience freedom. Ledine is characterised by poverty and social exclusion for the local Roma population, filling the lives of children with uncertainty and a longing to migrate to EU member states. The film premiered on 31/10/2020 at the Research centre Škograd as a part of the local Freiraum Festival 2020 event in Serbia. 

"Škograd stories is the art documentary film about freedom, hoping, imagining and playing in the outskirts of Belgrade."

Created with the support of Freiraum Platform and Goethe-Institut Belgrad.
Directed & edited by: David Stanley
​
Top: Trailer
Bottom: Full movie (18' 42'')

Freiraum Festival 2020 Belgrade from ArtBOX on Vimeo.


Freedom Beyond the Mask
​
Sunugal, Mascherenere, CIQ in collaboration with Africa Day, Milan
​Coordinated by Goethe-Institut Milan

The main characters of this performance are: The storyteller: an old musician, who makes a living playing music, maintaining a higher social level, the storyteller can be called a successful man, whose life changes with the Covid-19 Pandemic and its subsequent restrictions. Dave Samba, the adopted son of the storyteller, who tries to break free from his parents. From his own perspective or that of the storyteller, viewers will find out whether he will succeed in his plan or not. Dave and the storyteller are accompanied by different relatives, portrayed by actors, who are playing, dancing, or plainly shouting from the crowd.  

Top: Freedom Beyond the Mask, full performance
Bottolm left:
 Interview with the musician Paul Pele ​
Bottom right: Interview of actress Mary Megdelawit Martins
​with director Olivier Elouti


Speakeasy meets Freiraum Online
Hosted by Jane Dudman, Carlisle

Linda Fitzgerald and Sherin Hameh share poetry as part of
​the Freiraum Festival 2020 in Carlisle, UK.
Carlisle Speakeasy is a literary arts project initiated by the late Nick Pemberton and is a free space of expression, experimentation and bonhomie.  The group meet monthly, previously in a local cafe bar but now exist online where they carry on the tradition of welcoming all and sharing their poetry. A special pre-recorded SpeakEasy premieres as part of Freiraum Festival. It's jam packed with words, pictures, music and real life stuff. It runs for 1 hour 55 minutes!
Phil Hewitson a Carlisle film maker and writer reads a short extract from John Charlesworth’s reflections on Art in the time of COVID in Carlisle Central Methodist Hall.

FREIRAUM MANIFESTO READING
Samira Saleh
Coordinated by Goethe-Institut Brüssel

Samira Saleh is a spoken word/performance artist, speaker, workshop facilitator, curator, organiser and host. She's been using the important outlet that is spoken word as a tool for self-empowerment since she first discovered the phenomenon. She switches between serious poems and funnier work without a problem, all this without compromising the will to share a heartfelt message. However light the poem may seem, Samira's work will always carry a deeper meaning for the listening ear. She won the 2016 BILL Award for speaking and the Slam 't Stad - Team Zuid slam poetry tournament in 2015. Previous performances have taken her all around Belgium, the Netherlands, Birmingham, Belgrade, London and Cairo for different projects like the Tashweesh Festival, Shubbak Festival, Apple's And Snakes Hit The Ode, Stand & Deliver and Urban Woorden’s Jazz n' Words session.

Freiraum Festival 2020 Brussels from ArtBOX on Vimeo.

JESUS IS ARRIVING... TAKE CARE OF YOUR WALLETS 
Live performance, Yepp Porta Palazzo & Associazione Arteria Onlus, Torino

Actor Max Liotta presents some excerpts from his play "Il Signor Gesù sta arrivando... occhio ai portafogli" (Jesus is arriving...take care of your wallets). Inspired by the biggest market in Europe, Turin’s Porta Palazzo, the play tells stories of vendors, immigrants, inhabitants, old and new, a mixture of languages, faces as well as stereotypes, from the heart of a unique place.


SKOPJE: A CITY INTERRUPTED
​Copenhagen Architecture Festival
Film direction: Signe Sophie Bøggild & Josephine Michau

How are democracy and identity renegotiated in the design and use of public space and cultural heritage in Skopje? Arriving from the very different context of Denmark’s capital Copenhagen and from the field of architecture, the 45-minute, Danish produced, Macedonian and English language film "Skopje: A city interrupted" examines Skopje and the issue of freedom and agency from a spatial perspective. From the Greek agora to Lefebvre’s question of the right to the city, it is known that the design, planning and use of public space as well as cultural heritage are always embedded in various discourses of politics, democracy, identity, culture and -indeed- freedom and agency. In Skopje, this seems particularly apparent and poignant. First, with the demolitions and modernist rebuilding after the tragic 1963 earthquake and subsequently during the historicist-nationalist makeover of Skopje 2014. Skopje: A city interrupted is, among other things, an investigation into ongoing renegotiations of what to do about the new cultural layer of Skopje 2014 and the city’s ambivalent relationship with the rest of Europe and the World, but also the everyday life experience in Skopje. Together with the Danish-Macedonian architect Daniel Serafimovski, who is familiar with both Skopje and Copenhagen, the film revisits different cases of public spaces and cultural heritage through interviews with local experts, archival footage, on-site registrations and voxpops with residents of Skopje, a city aspiring to become European Capital of Culture in 2028. ​

THE FILM IS AVAILABLE ON VIMEO VIA THIS LINK: https://vimeo.com/357794153 WITH THE PASSWORD: CAFx2019
Contact us:
Initiated by the Goethe-Institut in 2017, Freiraum is now an autonomous network of more than 40 actors from culture, science and civil society.
Website admin: www.artbox.gr for Freiraum Platform.
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  • Home
  • About
    • Mission Statement
    • About Freiraum
    • Freiraum Manifesto
    • Members
    • Team
  • Freiraum Festival 2021
    • 2021 Festival Rationale
    • 2021 Festival Programme
    • 2021 Festival Speakers & Contributors
    • 2021 Local Events
    • 2021 Artistic Interventions
    • 2021 Open Call
    • 2021 Team
  • Festival Format
  • Past Activities
    • Freiraum Festival 2020 >
      • 2020 Summit Rationale
      • 2020 Local Events
      • 2020 Summit Programme
      • 2020 Speakers & Contributors
      • 2020 Artistic Interventions
      • 2020 Credits
    • 2020-2017 Activities
  • Library
    • Talks and Discussions
    • Artistic Interventions
    • Texts >
      • Interviews
      • Essays
      • Chainreaction
      • Eight Short Stories
  • Tools
    • Mobile Stage
    • Mobile Studio